Fear by John Guzlowski

Fear
By John Guzlowski

I grew up in a working-class neighborhood on the near northwest side of Chicago, an area sometimes called Humboldt Park, sometimes called the Polish Triangle. A lot of my neighbors were Holocaust survivors, World War II refugees, and Displaced Persons. There were hardware-store clerks with Auschwitz tattoos on their wrists, Polish cavalry officers who still mourned for their dead comrades, and women who had walked from Siberia to Iran to escape the Russian Gulag. They were our moms and dads. Some of us kids had been born here in the States, but most of us had come over to America in the late 40s and early 50s on US troop ships when the US started letting us refugees in.

As kids, we knew a lot about fear. We heard about it from our parents. They had seen their mothers and fathers shot, their brothers and sisters put on trains and sent to concentration camps, their childhood friends left behind crying on the side of a road. Most of our parents didn’t tell us about this stuff directly. How could they?

But we felt their fear anyway.

We overheard their stories late at night when they thought we were watching TV in a far off room or sleeping in bed, and that’s when they’d gather around the kitchen table and start remembering the past and all the things that made them fearful. My mom would tell about what happened to her mom and her sister and her sister’s baby when the German’s came to her house in the woods, the rapes and murders.

You could hear the fear in my mom’s voice. She feared everything, the sky in the morning, a drink of water, a sparrow singing in a dream, me whistling some stupid little Mickey Mouse Club tune I picked up on TV. Sometimes when I was a kid, if I started to whistle, she would ask me to stop because she was afraid that that kind of simple act of joy would bring the devil into the house. Really.

My dad was the same way. If he walked into a room where my sister and I were watching some TV show about World War II – even something as innocuous as the sitcom Hogan’s Heroes – and there were some German soldiers on the screen, his hands would clench up into fists, his face would redden in anger, and he would tell us to turn the show off, immediately. Normally the sweetest guy in the world, his fear would turn him toward anger, and he would start telling us about the terrible things the Germans did, the women he saw bayoneted, the friends he saw castrated and beaten to death, the men he saw frozen to death during a simple roll call.

This was what it was like at home for most of my friends and me. To escape our parents’ fear, however, we didn’t have to do much. We just had to go outside and be around other kids. We could forget the war and our parents’ fear with them. We’d laugh, play tag and hide-and-go-seek, climb on fences, play softball in the nearby park, go to the corner story for an ice cream cone or a chocolate soda. You name it. This was in the mid 50s at the height of the baby boom, and there were millions of us kids outside living large and – as my dad liked to say – running around like wild goats!

In the streets with our friends, we didn’t know a thing about fear, didn’t have to think about it.

That is until Suitcase Charlie showed up one day.

It happened in the fall of 1955, October, a Sunday afternoon.

Three young Chicago boys, 13-year old John Schuessler, his 11-year old brother Anton, and their 14-year old friend Bobby Peterson, went to Downtown Chicago, the area called the Loop, to see a matinee of a Disney nature documentary called The African Lion. Today, the parents of the boys probably would take them to the Loop, but back then it was a different story. Their parents knew where they were going, and the mother of the Schuessler boys in fact had picked out the film they would see and given the brothers the money to pay for the tickets. At the time, it wasn’t that unusual for kids to be doing this kind of roaming around on their own. We were “free-range” kids before the term was even invented. Every one of my friends was a latch key kid. Our parents figured that we could pretty much stay out of trouble no matter where we went. We’d take buses to museums, beaches, movies, swimming pools, amusement parks without any kind of parental guidance. There were times we’d even just walk a mile to a movie to save the 10 cents on the bus ride. We’d seldom do this alone, however. Kids had brother and sisters and pals, so we’d do what the Schuessler brothers and their friend Bobby Peterson did.

We’d get on a bus, go downtown, see a movie and hangout down there afterward. There was plenty to do, and most of it didn’t cost a penny: there were free museums, enormous department stories filled with toy departments where you could play for hours with all the toys your parents could never afford to buy you, libraries filled with books and civil war artifacts (real ones), a Greyhound bus depot packed with arcade-style games, a dazzling lake front full of yachts and sailboats, comic book stores, dime stores where barkers would try to sell you impossible non-stick pans and sponges that would clean anything, and skyscrapers like the Prudential Building where you could ride non-stop, lickety-split elevators from the first floor to the 41st floor for free. And if you got tired of all that, you could always stop and look at the wild people in the streets! It was easy for a bunch of parent-free kids to spend an afternoon down in the Loop just goofing off and checking stuff out.

Just like the Schuessler Brothers and their friend Bobby Peterson did.

But the brothers and Bobby never made it home from the Loop that Sunday in October of 1955.

Two days later, their dead bodies were found in a shallow ditch just east of the Des Plaines River. The boys were bound up and naked. Their eyes were closed shut with adhesive tape. Bobby Peterson had been beaten, and the bodies of all three had been thrown out of a vehicle. The coroner pronounced the cause of death to be “asphyxiation by suffocation.”

The city was thrown into a panic.

For the first time, we kids felt the kind of fear outside the house we had seen inside the house. It shook us up. Where before we hung out on the street corners and played games till late in the evening, now we came home when the first street lights came on. We also started spending more time at home or at the homes of our friends, and we stopped doing as many things on our own out on the street: fewer trips to the supermarket or the corner store or the two local movie theaters, The Crystal and The Vision. The street wasn’t the safe place it once had been. Everything changed.

And we were conscious of threat, of danger, of the type of terrible thing that could happen almost immediately to shake us and our world up.

We started watching for the killer of the Schuessler Brothers and Bobby Peterson. We didn’t know his name or what he looked like, nobody did, but we gave him a name and we had a sense of what he might look like. We called him Charlie, and we were sure he hauled around a suitcase, one that he carried dead children in. Just about every evening, as it started getting dark, some kid would look down the street toward the shadows at the end of the block, toward where the park was, and see something in those shadows. The kid would point then and ask in a whisper, “Suitcase Charlie?”

We’d follow his gaze and a minute later we’d be heading for home.

Fast as we could.

Home again, we’d catch our breath and sit down at the kitchen table with a glass of milk and a sandwich. Our moms and dads would come from the living room or the basement and sit down across from us. They’d always want to talk. They’d smile and ask us how come we were back home so early. It wasn’t even 10 o’clock, time for the nightly news.

We’d tell them about how we were playing outside, joking about stuff, making up stories about Suitcase Charlie, trying to scare each other, nothing but joking around.

They’d nod and say, “It’s good to laugh, good to joke around.”

We wouldn’t tell them about the fear we felt, the fear they knew in ways we never would.

Slaughterhouse: Chicago’s Union Stock Yard and the World It Made by Dominic A. Pacyga

Dominic A. Pacyga and the University of Chicago Press invite you to join us as we celebrate the release of Slaughterhouse: Chicago’s Union Stock Yard and the World It Made.

Raise your glass at Stanley’s (4258 S. Ashland Avenue, Chicago, IL, 60609) on November 17, 2015 at 6:30PM.

All are welcome, and books will be available for purchase at the event.

by Dominic A. Paeyga

by Dominic A. Paeyga

Polack Joe’s Story by John Guzlowski

Polack Joe’s Story
By John Guzlowski

My dead father was an evil man. He’d
drink ‘til he was crazy, vodka spitting
from his nose, my mother pleading
with him to stop, praying to Baby
Jesus to help her bring him home.

Once in a bar on Division Street
he took a fountain pen and stabbed
her in the face so hard the silver
point pierced her cheek and blood
filled her mouth and reddened her teeth.

The bartender there was this big guy,
virile, a real bull. Tough as Jesus.
This guy lost a hand in the streets of Warsaw
when he slammed a homemade bomb
into the tread of a Nazi tank. When he saw
my mother’s cheek, heard her long
liquid scream, he put his rubber hand
to his eyes and fainted like a school girl!

My old man was like that, solid crazy.
He’d wake me up at night, cut me
with a strap, and chase me naked
through the alleys. My wife begs me,
Pray for him, Joey, make his soul free
so he can fly to Heaven. But I won’t pray.
I don’t want no part of a Heaven or a God
that’ll take a guy like that.

When I tell my wife this, she cries.
She asks me don’t I ever want to see
my dead father again. I say no. I won’t
pray. They could sell our baby girl
to the whores in the park so they could
cut open her belly and eat what’s inside
[no stanza break]
before I pray. God can nail our son
to an iron crucifix before I say one
prayer to save my father from the fire.

I understand what my wife wants.
I know. I used to get on my knees
with the other Polacks at St. Fidelis.
The pews there were like a ladder
that lead to the incensed altar.
We prayed our guts out. For what?
For ashes, palms, and three more
“Our Fathers” and a dozen “Hail Mary’s.”
Look here my friends, my brothers.
Like the wounds of Jesus on my face
you can still see the scars
where my father struck his claws!

But let me stop talking already
about my father and all his foulness.
Let me dance for you instead.

I’ll be good as a girl from Poland,
a pure country girl from a village
somewhere west of Czestochowa,
a girl who dreams Jesus can still
save her from this world, lead her
through corridors that lead to sunsets
like ladders lead to heaven above.

Look here my friends, my brothers.
Like the wounds of Jesus on my face
you can still see the scars
where my father struck his claws!

Corpus Christi Procession by Iwona Biedermann

The Corpus Christi celebration in Chicago is an example of how the polish immigrants bring and cultivate their religious and cultural traditions. In Chicago, there is no official holiday that Thursday and many parishes serving polish community celebrate Corpus Christi on Sunday after the mass.

The photographs below are from procession organized by Holy Trinity Church, which became a Polish Mission in 1987. The church has served the community since 1872, and all services are offered in the Polish language.

During the procession, traffic is stopped on Division and Ashland, while girls are scattering flower petals and participants stop to pray at temporary shrines.

IBP5

IBP6

IBP4

IBP7

IBP8

 

More from Iwona Biedermann’s Series Beyond the Veil

Here are some more photos from Iwona Biedermann’s series Beyond the Veil:

Sunday Service - Sisters of the Holy Family of Nazareth Convent

Sunday Service – Sisters of the Holy Family of Nazareth Convent

The Felician Sisters Sunday Service - Mother of Good Counsel Convent

The Felician Sisters Sunday Service – Mother of Good Counsel Convent

Bible Reading - Mother of Good Counsel Convent

Bible Reading – Mother of Good Counsel Convent

Sister of the Holy Family of Nazareth praying with Rosary and time during meditation

Sister of the Holy Family of Nazareth praying with Rosary and time during meditation

 

Beyond the Veil Series
Beyond the Veil series portrays the private moments in the lives of Catholic Nuns in Chicago. At the end of the XIX century, Polish Nuns arrived in small numbers to greet the growing wave of Polish immigrants and their families. The Felician Sister, the Sisters of the Holy Family of Nazareth and The Sisters of the Resurrection opened schools, hospitals, orphanages and retirement centers. They provided much needed assistance to emigrants and played a major role in preserving the heritage of the Polish immigrant community in Chicago throughout the XX century.

Many of the Sisters in the photographs have known each other and lived together for the majority of their lives. They were teachers, nurses, political activist, chefs and artists. “They served the need of their time” and now the number of sisters is growing smaller and older. The Sisters who I have met are women who made the choice to serve God by serving others through contemplation and action. Getting to know them and following the rhythm of their daily activities – from moments of contemplation, prayer or religious service, to moments of afternoon bingo or an evening card game – revealed glimpses of our shared human experience.

 

Beyond the Veil by Iwona Biedermann

Beyond the Veil
Beyond the Veil series portrays the private moments in the lives of Catholic Nuns in Chicago. At the end of the XIX century, Polish Nuns arrived in small numbers to greet the growing wave of Polish immigrants and their families. The Felician Sister, the Sisters of the Holy Family of Nazareth and The Sisters of the Resurrection opened schools, hospitals, orphanages and retirement centers. They provided much needed assistance to emigrants and played a major role in preserving the heritage of the Polish immigrant community in Chicago throughout the XX century.

Many of the Sisters in the photographs have known each other and lived together for the majority of their lives. They were teachers, nurses, political activist, chefs and artists. “They served the need of their time” and now the number of sisters is growing smaller and older. The Sisters who I have met are women who made the choice to serve God by serving others through contemplation and action. Getting to know them and following the rhythm of their daily activities – from moments of contemplation, prayer or religious service, to moments of afternoon bingo or an evening card game – revealed glimpses of our shared human experience.

1. Sister Mary Columbine Kowalska - on her 104th birthday - Sisters of the Holy Family of Nazareth, 2002. 2. Sister Paula Shire at Mother of Good Cousel in Chicago, 2002. 3. Sisters of the Holy Family of Nazareth, 2002. 4.The Felician Sister - Terenia at Mother of Good Cousel in Chicago, 2002. 5. Sister Eucharia Fronszkowski - Holy Family of Nazareth, 2001.

1. Sister Mary Columbine Kowalska – on her 104th birthday – Sisters of the Holy Family of Nazareth, 2002.
2. Sister Paula Shire at Mother of Good Cousel in Chicago, 2002.
3. Sisters of the Holy Family of Nazareth, 2002.
4.The Felician Sister – Terenia at Mother of Good Cousel in Chicago, 2002.
5. Sister Eucharia Fronszkowski – Holy Family of Nazareth, 2001.

About Iwona Biedermann
Iwona Biedermann was born in Poland. She studied photography at Columbia College and received a Bachelor of Fine Arts in 1990. Biedermann’s photographic work includes documentary, editorial, portraiture and fine art. She has also taught photography privately as well as for nonprofit youth organizations and was a visiting artist at Columbia College and Loyola University.

Her photographs have appeared in numerous newspapers and magazines including the Chicago Sun-Times, Chicago Tribune, Chicago Magazine, The Reader, In These Times, Screen Magazine, New City, Newsweek, Real Simple, Time-Out and various Chicago-based Polish media. Her work has been published in Australia, Brazil, Chile, England, France, Germany, Japan, Poland, Portugal, Spain, Sweden, Switzerland and United States.

Recognized through many awards, (Individual Artist Support Initiative, Illinois Art Council 2012, Artist Fellowship, Illinois Art Council 2007, Commission from Public Art Program 2002, Illinois Humanities Council Grant 2001, City of Cultural Affairs Grant 1997, Eddie Adams Workshop 1995, Weisman Scholarship 1985/1986) her work has also been a part of many exhibitions including Beyond the Veil at the Polish Museum of America in 2002, Catholic Chicago at Chicago History Museum in 2008 and Between the Lines of Beauty, Think Art Salon in 2011. Solo exhibitions include Divine DisComfort at Arsenal Gallery, Poznan, Poland in 1999 and Elmhurst Museum in 1998.

In 2003, Biedermann opened the DreamBox Foto Studio and DreamBox Gallery in Chicago. Its mission is to create, inspire and be inspired by cultural exchange between artists and their creative currency: Word | Image | Idea.

Website: Iwona Biedermann Photography

Call for Papers EXTENDED! New Deadline: 18 August 2015

Chicago Catholic Immigrants Conference: The Poles
November 13-14, 2015
Loyola University Chicago

CALL FOR PAPERS

The Loyola University Chicago Hank Center for the Catholic Intellectual Heritage (CCIH) in collaboration with the Interdisciplinary Polish Studies Program will host the third conference in a series of conferences that focus on the historical, cultural, and religious roles that Roman Catholicism played in sustaining ethnic identity for many immigrant communities of people who came to Chicago in the 19th and 20th centuries. Each year the conference is devoted to an ethnic community in which Catholic faith and devotional life bolstered cultural and national identity at the same time that the Church’s institutions helped that ethnic community to assimilate into a new city and nation. The conferences explore many waves of 20th century immigrants to Chicago whose Catholic faith helped to shape their cultural narrative.

The 2015 Chicago Catholic Immigrants Conference (CCIC) will focus on the Polish immigrant community here in Chicago. We would like to invite scholars from the fields of ethnic studies, urban and cultural history, literature and language, theology, and sociology of religion. This conference will also highlight the Polish heritage and traditions with the participation of Chicago artists, students, and Catholic religious leaders.

Future conferences of the Joan and Bill Hank Center for the Catholic Intellectual Heritage will focus on the following immigrant communities: Lithuanian, Vietnamese, and African. The two previous conferences have looked at the Italian and Mexican immigrant communities.

Deadline for Paper Submissions: Tuesday, August 18th, 2015

We invite you to participate as a speaker, a moderator of a panel and/or an organizer of a panel. Each speaker will participate in a panel addressing a topic suggested in our agenda. We are open to proposals given that you will organize the whole panel. Presentations should be limited to 20 minutes, which will be follow with a brief discussion led by a panel moderator.
Please submit your papers including 200-word abstract, 60-word biography, contact and affiliation information to Bozena Nowicka McLees, Director of the Interdisciplinary Polish Studies Program, at bmclees@luc.edu. If you have any questions please call 773-508-2864.

Chicago Catholic Immigrants Conference: The Poles
Proposed Program

DAY 1 – Friday, November 13th, 2015
9:00 – 9:30 Opening Session and Welcome
9:30 – 10:00 KEYNOTE ADDRESS Followed by Q&A
10:00 – 11:15 PANEL 1: Poles Coming to Chicago, A Historical and Social Perspective
11:15 – 11:30 Coffee break
11:30 – 1:15 PANEL 2: First Parishes and Catholic Organizations
1:15 – 2:00 Buffet Lunch
2:00 – 3:15 PANEL 3: Polish Catholic Education and Assimilation
3:15 – 3:30 Coffee Break
3:30 – 4:45 PANEL 4: Parish Histories and Religious Orders
4:45 – 5:00 Coffee Break
5:00 – 6:30 PANEL 5: Pope John Paul II and Other Catholic Role Models (St. Kolbe, Jan Karski)

DAY 2 – Saturday, November 14th, 2015
9:00 – 9:45 Keynote Speaker
9:45 – 10:00 Coffee Break
10:00 – 11:15 PANEL 6: Immigration, Transnationalism, and Cultural Identity
11:15 – 11:3 Coffee break
11:30 – 1:00 PANEL 7: Polish Catholic Experience in Literature, Polish American Writers in Chicago
1:00 – 2:00 Buffet Lunch
2:00 – 3:30 PANEL 8: Polish Catholic Culture Expressed in Fine and Visual Arts.
3:30 – 3:45 Coffee break
3:45 – 4:30 VISUAL PRESENTATION on the Architecture of Polish Churches in Chicago
4:30 – 4:45 Coffee Break
4:45 – 5:30 PANEL 9: Chicago Polish Catholicism for the 21st Century: Perspectives from Loyola Students
5:30 – 6:00 CLOSING REMARKS
6:00 Sacred Liturgy in celebration of Polish-American Heritage; music performed by the LIRA Ensemble, Madonna della Strada Chapel

Pre-Conference Events:

Wednesday, 11 November: Film Screening & Discussion of The Fourth Partition (2013)

We encourage scholars to expand this program by submitting any other suggestions exploring the Polish-Catholic experience in Chicago.

Stamp Honors 1,000 Years of Christianity in Poland

On this day – June 19th – in 1966, the following article appeared in the Chicago Tribune to commemorate the Polish community’s celebration of 1,000 years of Christianity in Poland:

“Stamp Honors 1,000 Years of Christianity in Poland”

Here is a photo pf the commemorative stamp:

1966 Poland's Millennium Stamp

A big warm thank you to Carole Bilina for donating 38 historic stamps to the Interdisciplinary Polish Studies Department! 115 million stamps were printed in 1966 to mark 1000 years of Christianity in Poland.