Included beneath the poetic play is a conversation between the author, Jefferson Navicky, and Human Company, discussing the possibility of staging a work such as this. Characters: She: 22-30 year-old girl, (dressed in jeans and hooded sweatshirt, alternating with a
FROM Re-cycle (Coat/ Verb/ Touch)
“and who she is and he/are templates” LISA FISHMAN Refined: zygote wood becomes chair or trinket. Limbs for forging. Flip a sea toward the dry and stash away switchblades waves corrupt the sea with was her suggestion. Pesos like moats
Claw and Ale
Mr. Thom Wallace and so-and-so Bird behind the Virgin with the rusted neck and the carmine blemish. Mary before juniors and sons. Mary against a periwinkle sky. Mary, watch over him. Thom Wallace. Ace of walls, lace law, hot mm-oth.
Phase Study
There’s a reaching – it’s reaching – I’m reaching & we’re stretched out together – through rain, through the grey, stretched in weather that cramps us in this current this, this furious nanomoment, this electrical activity, this rainbow fire, this
We Still Talk About You
This all starts with a small conversation about Something you forget, or never understand, but hear And then hum. You don’t understand the way you Usually understand, but something in conversation, Something in the talk between ourselves, Something in that
Two Deserts
1. Late July, and the desert sky has rained this morning. Running alongside the right bank of the tender river, Through its wet air, its moist breath, running Along the loam drifts and sand shore, through The fallen cottonwood leaves
Another Creature That Had Life In It But No Longer Exists
daft habits craft a man’s hand that tags clouds with mad plans. some random stab at transcending vanity, a forensics lab is a lens that refracts narrow bands of gas along electrum. stratified, lasts as long as a glance. whose?
Untitled #12
Jasper Johns believed in gray: “Black and white is very leading. It tells you what to say or do. The gray encaustic paintings seem to me to allow the literal quality of the painting to predominate over any of the
Dub – Notes – to Refrain (from Condition)
Elizabeth Guthrie lives in the ad hoc veritability of London, England. Researching poetic plays, she pulls riddled sassafras, jack-in-the-box discoveries from the phenomenon of language. Her poetic play Yellow and Red was published by Black Lodge Press in 2008; Between
Leaving the Matinee
Your life becomes the protagonist’s, anyone’s, and the shiny sealed package of story is yours, is slathered all over your shaved calves like sunless tanning cream, and you are walking, marching alone across a bridge into the sunset, really you