Exploring a Tumultuous Time in an Idyllic Place

Posted on March 27, 2015 by mfullerton

Piper Hall

For the majority of my time at Loyola University, Piper Hall was a subject of mysterious beauty. It is unlike any of the other buildings on campus. The beautiful stone mansion sits overlooking Lake Michigan and during the warmer months it is surrounded by numerous flowers and greenery. Even before I set foot inside its elegantly furnished parlor, I was cognizant of a deep historical aura surrounding the building. Now, during my last semester at Loyola, I am able to explore not only the building but its history and the connections to the past it houses. On the very top floor of Piper Hall sits the Women and Leadership Archives, a warm place for researchers to delve into the past of Mundelein College and explore the lives of important women in Chicago. It is here that I have chosen to do my history internship.

I first began working on developing online resources for History Fair students; however, after comparing many archives’ materials I found that the Women and Leadership Archives was already ahead of the curve. I then discovered from talking with Nancy Freeman, the Director of the archives, that the WLA had a special story to tell in light of the 50^th anniversary of the march from Selma, Alabama. As an historian, I love researching and sharing stories that need to be heard. So I dived in with the intent of creating a comprehensive exhibit to honor the 28 Mundelein delegates who participated in the Selma March.

College Students, Selma March, 1965

I used Mundelein’s Skyscraper Newspaper as my first resource in understanding the context, motivation, and story of the Mundelein delegation. From the newspapers I discovered contrasting viewpoints, personal narratives of college life in the 1960s, journals of those who went to Selma, and important facts about the journey. As a female college student sitting in the same classrooms as the Mundelein college students back in the 1960s, I cannot help myself from comparing my experience from those told in the newspaper. Theirs was a time of passion and expression; mine a time of quiet contemplation and self-discovery.

The next step in my research will be interviewing one or two women who participated in the Selma March. This is an exciting step, for it will give my research new life and meaning. These women’s experiences are important to preserve and can be used to better understand women at Mundelein in the 1960s. It will also give us insight into the experiences of female college students in Chicago and perspective into the roots of prominent women today. Oral history is foreign to me but I am excited, albeit a bit nervous, to better understand the role of the interviewer and to add important stories to the collection at the WLA.

I look forward to continue being inspired by the beauty that is Piper Hall, and through the resources it houses, to better understanding life at Mundelein in the 1960s. As a culmination of my time at the Women and Leadership Archives, I hope to produce an online blog exhibit that accurately imparts to the reader the tumultuous and expressive feeling of the 1960s, while telling the story of a group of Mundelein students who so vehemently wanted to march for racial equality.

Elyse is an undergraduate intern at the WLA and is studying History, International Studies, and French at Loyola University. In her free time she knits colorful socks, eats as much interesting food as Chicago has to offer and dreams of camping in the middle of nowhere, Minnesota.

Loyola University Chicago’s Women and Leadership Archives Blog is designed to provide a positive environment for the Loyola community to discuss important issues and ideas. Differences of opinion are encouraged. We invite comments in response to posts and ask that you write in a civil and respectful manner. All comments will be screened for tone and content and must include the first and last name of the author and a valid email address. The appearance of comments on the blog does not imply the University’s endorsement or acceptance of views expressed.

Constant Vigilance: The Art of Disaster Preparedness

Posted on February 6, 2015 by mfullerton

Oh, no! You walk down the darkened stairway to the archives. About two inches of water sit at the bottom of the staircase and the level rises slowly as more water flows out under the door. What do you do? Should you open the door, turn on the lights, and rush in to save the patriarchy-crushing SisterSerpents stickers? Let out a blood curdling cry for help? Fetch your water wings? Send up the bat-signal? Run? Or should you consult your handy Disaster Preparedness Plan?

Every day

Floods RAVAGE Cities,Fires DESTROY Buildings,Zombies ATTACK,and Sinkholes SWALLOW museums.

While that may sound a little dramatic, the tiniest roof leak or mold outbreak has the potential to cause a great deal of damage to collections. Last semester Nancy, the WLA Director and my supervisor, who is also on the Loyola Libraries Disaster Preparedness Committee, asked if any of the graduate assistants would be interested in helping the committee. When I expressed perhaps too much enthusiasm at the mention of disasters, I was given the task of helping draft an updated disaster plan for the Lewis Library.

Since then my life has been devoted to constant vigilance.

I’m not exactly sure why I find disasters so fascinating. The first time I really remember thinking about disasters was in an undergraduate class called Geocinema where we watched natural disaster movies, such as Magma: Volcanic Disaster and Tidal Wave: No Escape, critiqued the science, and wrote our own geologically-sound screenplays. As I watched bad movie after terrible movie, I remember wondering why these characters were so dumb. Most of them were scientists – how could they be so illogical? Why didn’t they just make a plan and stick to it? Probably because it is surprisingly difficult to create a plan, keep it updated for when disaster strikes, and execute it flawlessly.

Unlike Corbin Bernsen playing a former weapons specialist in Title Wave: No Escape, who has no plan, but ends up teaming up with lady scientist Julianne Phillips to save coastal towns from a barrage of brutal tidal waves, I do have a plan. But I understand why Corbin and Julianne don’t; the Lewis Library Disaster Plan was challenging to write and will be even harder to keep updated. After wading through heaps of information on disaster recovery, I found that keeping these three points in mind made the Disaster Plan easier to write.

1. Find a focus. Although the Disaster Preparedness Plan puts human safety before collections, it focuses on the aftermath of the disaster, not the eye of the storm like Corbin and Julianne are forced to deal with. Although emergency instructions are a part of the plan, it was difficult to balance the inclusion of vital instructions for human safety and the assessment and salvage of damaged materials.

Although the content is different, “Minor Zombie Emergency” and “Major Zombie Apocalypse” have the same layout, making it easy to identify important information.

2. Organization is vital. Even when all of the important information is present, it won’t do you any good if you can’t quickly find what’s relevant to you. I looked at disaster plans compiled by other archives, libraries, and museums to find a simple, user-friendly layout. By using the same layout for each disaster situation you can easily tell that wet books should be dried or frozen within 48 hours to prevent mold growth, whereas microfilm and motion picture film need to be rewashed and dried within 48 hours.

3. Keep it relevant, useful, and updated. Phone numbers change, businesses go belly up, knowledgeable staff retires, collections move. The last complete Loyola University Libraries disaster plan is from 2007; it acknowledged that the plan needed to be updated yearly, but daily work often takes precedent over long-term planning. A disaster plan should be a living document, changing with the institution, but how do you accomplish that? I’m not sure. I can write that the Disaster Preparedness Committee will update the plan yearly, but that won’t make it happen. Maybe a monthly email to the committee with the “constant vigilance” gif would help.

If Corbin Bernsen and Julianne Phillips kept these points in mind, maybe they could create a plan for the next time tidal waves start destroying the coast.

Mollie is a Graduate Assistant at the WLA and is finishing her last semester of her MA in Public History at Loyola University Chicago. In addition to sharing authority, she enjoys biking, making/eating pie, and playing the musical saw.

The Archives from a Public History Outsider’s Perspective

Posted on January 23, 2015 by Women and Leadership Archives

The world of archiving, before I came to volunteer at the WLA, was a field that was completely foreign to me. I am a graduate student in poetry, and although there is a certain appreciation and study of the past that come natural in writing and studying poetry, I had never thought about where, why, or what we might keep papers and artifacts in safekeeping. In fact, I have virtually no background in archiving or even public history. I had decided to become a volunteer because of my general enthusiasm for women’s history and leadership that had been cultivated from my experience of completing my undergraduate degree at an all-women’s college. I had trust that whatever I gained from exposing myself to the archiving environment would provide me with a different vantage point from which to view not only my writing, but the context of my field of study in general.

Entrance into a discipline that you are completely unfamiliar with can be, to be honest, a little unsettling (especially to your ego). While my tasks have mainly revolved around writing up content for the website and helping with social media posts, I soon found that there were still many opportunities to interact with the materials of the archives themselves. Knowledge that is taken for granted by any student who has taken a simple public history course was information that I had to be instructed in. But I was unsettled not by just my lack of foundational knowledge, but also by my lack of understanding of the true nature and goals of an archive.

The WLA is located on the 3rd floor of Piper Hall.

Approaching as a poet, my first instinct when I come across an old photo or document is to think: How cool! How can I interpret this and what kind of emotions/ideas does it evoke that makes it relevant?

Thinking as an archivist, however, urges me to think beyond my immediate instincts. What is the document’s context? What is the story of the people involved in it? How/why did it survive? There are always connections and stories present even in the least conspicuous of records. The world has been constructed almost entirely by unsung heroes, but the information surrounding them and their stories are in existence, and still able to speak to us—as well as advise us. In this way, the archives hold a sort of tangible relevance that is nearly unique to the field. Here you can hold not just the documentation of history, but the actual cogs and gears, so to speak, which make up the working totality of the present.

I understand that may sound a bit dramatic, but it’s very true. My main appreciation for the field has been at how dedicated one must be to making these things available for public discovery and research at the same time as preserving them as best as it is possible. There is definitely a search for deeper understandings of the present (which really can be called an understanding of reality) present in archiving, but more impressively, there is the effort to make this understanding public and influential in the making of the future.

In thinking about relevance to my personal field of study, I see mirrored desires. Poets like to think they are trying for a deeper understanding of reality that is relevant to the past, present and future. In fact, ideally, I think the point is to share that understanding with others. However, in my experience, this is where the poet usually fails. They tend to be lofty or cryptic (I mean this as endearingly as possible), often aiming their understanding to be shared with a distinct circle of peers. In this respect, my vision for my own studies has been altered. Those in the archiving field have the sole knowledge and practice to preserve and decode artifacts; however the goal of their work is not to explore this knowledge for themselves, but to make its relevancy clear to the public and those in all sorts of fields of study. My time volunteering here in the archives has not only given me insight into a different way at looking public history, but it has also made the importance of their goals very clear to me. I would love to see my field of study put the same amount of effort into sharing the understanding that has been cultivated with a much wider audience.

Brittany is a Poetry MFA candidate at Columbia College Chicago where she works as a graduate instructor of Writing and Rhetoric. In 2013-2014, she volunteered at the Women and Leadership Archives, Loyola University Chicago.