A Visit Turned Crusade: A Struggle to End the Death Penalty

Dr. Irene Meyer was a Mundelein College* professor from 1957 to 1992. In that time, Dr. Meyer earned her PhD, became a fervent civil rights activist, and fought for the abolition of capital punishment in Illinois. I first came across Dr. Irene Meyer earlier this year for a reference request. In her file, there were several articles, which marked her involvement with a man on death row. Reading these sparked my curiosity, and I had to see what else we had in our collections on Dr. Meyer. What I learned was that Dr. Meyer has led an amazing life, built an incredible career, and her story is one that needs to be told.   Continue reading

Dancing at Mundelein

Dance has a large impact on my life. I grew up dancing, starting at the age of three. I went through my life, even graduating with a Dance Complementary major. When I stumbled onto dance records working at the Women and Leadership Archives, I became very excited.

I began research on dance at Mundelein College*, combing through files and student newspapers. I came across several photos of co-ed dances as well as finding some photos and articles of Mundelein dance performances. Overall, I noticed three main genres of dances at Mundelein: company dance performances, students in dance, and social dances.

Concert Dance, Inc. was an Artist-in-Residence at Mundelein College beginning in 1982. The partnership began when a member of the dance company visited Mundelein in hopes to hang promotional posters. On a whim, the dancer asked if the college would be interested in having a dance company in-residence. Under the leadership of Venetia Stifler, the company began their partnership with Mundelein.

This partnership allowed Concert Dance, Inc. to use Mundelein Theatre for productions. Their first performance was October 15 and 16, 1982. Featured in this performance was a new Stifler creation, “Mundelein Madness.” The company also offered classes for Mundelein students beginning in the spring of 1983. They started by offering two classes: Dance Technique I and Dance Performance I. Due to students’ interests, the company sponsored a dance club for Mundelein students to work with a performance company.

Fig. 1 Concert Dance Inc. modern dance class, undated.

Concert Dance Inc. had regional recognition. The company worked on multiple collaborative projects. In 1986, Stifler received the Chicago Dance Arts Coalition’s Ruth Page Award for Artistic Achievement of the Year for her work Magic Spaces that was part of a collaborative project with Frank Vodvarka. Vodvarka was an artist affiliated with Mundelein College who had an extensive background in architecture. They also worked on The Chicago Project, which was created to celebrate Chicago’s 150th anniversary as a city.

Fig. 2 Concert Dance Inc. program cover, 1986.

Concert Dance Inc. left their Mundelein Residence around 1988, but the company is still performing today with Venetia Stifler as their director.

Students’ interactions with dance were not limited to artists-in-residence. While browsing through Skyscraper articles and files of photos, I learned about on-campus dance clubs. In 1935, the Social Dancing club decided it was time to step up their dancing skills. In an October Skyscraper article, the club calls out for people wanting to improve their dancing skills to look amazing at the Junior Prom (see Fig. 3).

Fig. 3 Excerpt from Skyscraper, Volume 6 Issue 2.

Dance clubs and drama typically merged. From the resources I went through, I found distinct mentions of various techniques. In 1933, the Skyscraper mentions performances of Interpretative Dance, in which motion accompanied spoken word. Interpretative Dances combine two art forms, poetry and dance, which gives audience members a visual for what is in the artist’s mind. In the 1940s, the Skyscraper mentions ballet dances were performed on campus (see Fig. 4). Ballets are some of the oldest forms of dancing still practiced regularly today. Classical ballets like The Nutcracker and Sleeping Beauty attract numerous visitors. Photos from the 1950s and 1960s present modern dance classes that practiced in the gymnasium (See fig. 5 and 6). Modern dance differed from ballet by allowing more torso movement appearing less rigid. A Skyscraper article from 1966 mentions an upcoming choreography concert: “In a unique cooperation, the Mundelein modern dance club, Orchesis, will present a concert … with the Judith Scott Dance Company” (Skyscraper Volume 36 Issue 13).

Fig. 4 Photo from Skyscraper, Volume 10 Issue 14.

Fig. 5 Modern dance performance, 1958.

Fig. 6 Modern dance class, 1961.

From the materials left behind to research, it would appear that social dances affected most students at Mundelein. This came as a surprise to me because many Christian colleges and universities disapproved of co-ed dancing. Not only did this thinking spur from movies like Footloose, but also in my own experience growing up Christian and the stigmas I was taught about social dancing. At Mundelein there were Tea Dances, Sophomore Coalition, Junior Prom, Senior Ball, Coke Dances, Swing Dances, and so many others. Social dances were a chance for co-ed interaction, mostly between Mundelein and Loyola students. Cadet Balls gave Mundelein students an opportunity to spend time with the military personnel (See Fig. 7).

Fig 7. Cadet Ball, 1963.

Fig. 8 Tea Dance, 1961.

I was only able to scratch the surface of dance at Mundelein, and I am sure there is a lot that I am missing. From the documents and photos I browsed, I have gathered that social dances were more popular than technique dances like ballet and modern. However, I have enjoyed everything I have viewed in the research I have done. With my life being extremely involved in dance and dealing with battles between Christian denominations and their opinions on dance, it was comforting to see a Christian university that did not ban dancing, but promoted it with classes and events. The date for this post, October 22, 2019, was no accident. It was chosen because of the National Arts and Humanities Month observance day for dance.

* Mundelein College, founded and operated by the Sisters of Charity of the Blessed Virgin Mary (BVM), provided education to women from 1930 until 1991, when it affiliated with Loyola University Chicago.


Miranda Ridener is a Graduate Assistant for the Women and Leadership Archives. She has her undergraduate degree in History and Dance from Anderson University Anderson, Indiana and she is currently pursuing her master’s in Public History from Loyola University.

 


Loyola University Chicago’s Women and Leadership Archives Blog is designed to provide a positive environment for the Loyola community to discuss important issues and ideas. Differences of opinion are encouraged. We invite comments in response to posts and ask that you write in a civil and respectful manner. All comments will be screened for tone and content and must include the first and last name of the author and a valid email address. The appearance of comments on the blog does not imply the University’s endorsement or acceptance of views expressed.


Digitizing Mundelein

Our unassuming file cabinets

There is a lot of history stored here in the Women and Leadership Archives, so it would be easy to overlook the three black filing cabinets tucked away in a corner of our reading room. That would be a mistake, though, since those drawers contain the Mundelein College Photograph Collection.* In other words, they hold an estimated 40,000 photographs and slides (yes, you read that correctly) captured during Mundelein College’s more than sixty-year history.

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Saving Sister Jean

The amazing run of the Loyola Men’s Basketball team in the 2018 March Madness made national news. The Ramblers’ last-second upsets over Miami in the first round and Tennessee in round two brought the team to its first Sweet Sixteen since 1985. All of the success brought new attention, not only to the team, but to the adorable 98-year-old team chaplain, Sr. Jean Dolores Schimdt, BVM (Sisters of Charity of the Blessed Virgin Mary) who quickly became a national star. Continue reading